︎ Writing
︎ Curatorial
︎ Photography
︎ Curatorial
︎ Photography
- Academic
- Interviews
- Exhibition Reviews
- Essays
- Exhibition Texts
- Conferences
- Translations
- The World Through AI (assistant)
- Semblance
- Artist Studios
- Commissioned Projects
- Personal Projects
- Interviews
- Exhibition Reviews
- Essays
- Exhibition Texts
- Conferences
- Translations
- The World Through AI (assistant)
- Semblance
- Artist Studios
- Commissioned Projects
- Personal Projects
ABOUT
Alexandra Gilliams is a PhD candidate in Art History at Université Paris 1 Panthéon-Sorbonne. She is also a writer and researcher who has assisted in developing cultural projects for galleries, museums, and publications for eight years.
At the moment, she is exploring contemporary artworks that expose the extractive and exploitative practices associated with the rise of artificial intelligence technologies, as well as its influence in visual culture. She is assisting curators with research for an upcoming exhibition about AI at the Jeu de Paume in Paris. In October, she will begin a dissertation on AI and contemporary art.
She writes about artists who create critical works across technology, science, and society. Bylines include Spike Art Magazine, CLOT, XIBT, Art Observed, and ARTPIL.
She is a founding member of the AI Observatory, a research group at the Sorbonne that was created by Antonio Somaini, theorist and professor of film, media, and visual culture.
︎ Email
Alexandra Gilliams is a PhD candidate in Art History at Université Paris 1 Panthéon-Sorbonne. She is also a writer and researcher who has assisted in developing cultural projects for galleries, museums, and publications for eight years.
At the moment, she is exploring contemporary artworks that expose the extractive and exploitative practices associated with the rise of artificial intelligence technologies, as well as its influence in visual culture. She is assisting curators with research for an upcoming exhibition about AI at the Jeu de Paume in Paris. In October, she will begin a dissertation on AI and contemporary art.
She writes about artists who create critical works across technology, science, and society. Bylines include Spike Art Magazine, CLOT, XIBT, Art Observed, and ARTPIL.
She is a founding member of the AI Observatory, a research group at the Sorbonne that was created by Antonio Somaini, theorist and professor of film, media, and visual culture.
︎ Email