ALEXANDRA GILLIAMS



︎ Writing
  






︎ Curatorial



︎ Photography





ABOUT
    Alexandra Gilliams is a PhD candidate in Art History at Université Paris 1 Panthéon-Sorbonne. She is also a writer and researcher who has assisted in developing cultural projects for galleries, museums, and publications for eight years.

   Her research revolves around contemporary artists who intertwine art, science, and technology from a critical perspective, with a particular focus on AI and its societal and political implications.
She is assisting curators with research for an upcoming exhibition about AI at the Jeu de Paume in Paris. Bylines include Spike Art Magazine, Do Not ResearchCLOT, XIBT, Art Observed, and ARTPIL.

   She is a founding member of the AI/Arts Observatory, a research association at the Sorbonne that was created by Antonio Somaini, theorist and professor of film, media, and visual culture.

︎ Email
WRITING———CONFERENCES



Artificial Optics: Contemporary Art and the Sociotechnical Imaginary of AI

A new trend appears to be occurring with AI artists and exhibitions. Often directly financed by Silicon Valley companies through residencies, grants or partnerships, these artists and exhibitions are contributing to the construction of a new paradigm: what art and technology scholar Joanna Zylinska refers to as "platform art" in "AI Art: Machine Visions and Warped Dreams”. I broaden her 2020 study by looking at newer aesthetic patterns that are emerging in what I argue is phantasmagoric: immersive, hypnotic, seductive, terrifying, and sometimes even giving off the impression of the ethereal, sacred and divine. Artists can deconstruct dominant, misleading narratives around AI innovation and look to the technology’s potential for positive outcomes. Instead, these artworks gloss over the power structures behind the development and deployment of these technologies and ultimately add to the ominous shadow being cast over the technology’s hidden functionalities, biases, underlying histories and Silicon Valley ideologies.
SEPT 2024

Presentation

L’Institut National d’Histoire de l’Art (INHA)
Paris, France




Photography and
Artificial Intelligence: New Perspectives for Photographic Creation


The status of photography is evolving and artificial intelligence is playing an increasingly important role in this creative transformation. During Fabien Ducrot's artistic residency, the Musée Départemental Albert-Kahn organized a roundtable discussion dedicated to the issues surrounding image-making and generative algorithms.

Read more...
DEC 2023

Roundtable Discussion with Fabien Ducrot & Marion Carré 

Musée Albert-Kahn
Paris, France