︎ Writing
  






︎ Curatorial



︎ Photography





    Alexandra Gilliams is an art historian, curator, and lecturer pursuing a PhD in Art History at Paris 1 Panthéon-Sorbonne. Her research investigates the aesthetics, politics, and visual cultures of artificial intelligence in contemporary art, with a particular focus on spectacle, critical imaginaries, and the infrastructures that shape perception.

    She is a visiting scholar at the Bibliotheca Hertziana – Max Planck Institute in Rome, as part of the Machine Visual Culture research group, and is an assistant curator for an upcoming exhibition at the Museum of Art, Architecture, and Technology (MAAT) in Lisbon. She was a curatorial assistant for the exhibition The World Through AI at the Jeu de Paume in Paris. She teaches courses on art and AI and regularly presents her research at international conferences.

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———INTERVIEWS






Mimi Ọnụọha, These Networks In Our Skin, 2021. Installation view, Australian Centre for Contemporary Art, Melbourne. Photo: Andrew Curtis
Dismantling The House Tech Built:
Mimi Ọnụọha

If our deepest selves are increasingly exhumed through data collection, processing, and automation, the massive impacts of blackbox algorithms on work, education, romance, nutrition, political leadership, and even notions of selfhood should occasion widespread alarm. In 2017, artist and researcher Mimi Ọnụọha wrote a GitHub post reflecting on algorithmic violence, a term she coined to describe how probabilistic code aggravates structural vulnerability. Turning away from Big Tech’s dominant technological imaginary, the Brooklyn-based artist entwines low-tech source materials in digital infrastructures to yield more expansive narratives for social existence and to surface the contradictory logics at the heart of corporate utopianism.

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FEB 2024
Spike Art Magazine

Web





Pollen, 2021, Caroline Corbasson
CAROLINE CORBASSON, tracing the stars

Caroline Corbasson explores monumental questions on both micro and macroscopic scales. She collaborates with astrophysicists and neuroscientists to render technical knowledge accessible, while highlighting the beauty of what is factually known through science and the obscurity of what is unknown. After all, many of these scientists are searching for the origins of life, which arguably carries mysticism and spirituality within it. This undertaking is pursued through a solitary studio practice, but also through the physical exploration of ethereal locations largely inaccessible to the public.

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JUNE 2022
CLOT Magazine

Web





Installation Views, Towards No Earthly Pole, Dallas Museum of Art, Dallas, USA, 2021 Copyright the artist; VG Bild-Kunst, Bonn, German
Photo by Chad Redmon
You need to understand that you are lost before finding your way.

AN INTERVIEW WITH
JULIAN CHARRIÈRE

In his latest exhibition Towards No Earthly Pole at the Dallas Museum of Art, Julian Charrière confronts viewers with a new perspective of the Arctic and a heightened understanding of the present moment through its monumental glaciers.

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SEPT 2021
XIBT Magazine

Print + Web




                                       Oliver Beer portrait, 2020
Photo: John O’Rourke

Shifting Persepective

AN INTERVIEW WITH
OLIVER BEER

Oliver Beer’s installations, performances, and sculptures welcome the possibility for new perspectives. They are invitations to listen carefully to the world around us, to question and enhance our senses, and distract them from the cultural and sensorial signifiers that we have long been conditioned with.

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MAY 2021
XIBT Magazine


Print (Cover story)
+ Web



Yushi Li, The Death of Actaeon


A Feast For Tired Eyes

AN INTERVIEW WITH YUSHI LI

Yushi Li uses photography and video to stage desire and eroticism from a female, heterosexual perspective, breaking gender roles and unveiling feminine taboos. She explores these ideas across several series, rendering men passive and vulnerable from her vantage point.

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JAN 2021
XIBT Magazine

Print + Web






Jakob Kudsk Steensen, RE-ANIMATED, 2019
Courtesy of the artist
RE-ANIMATED, Installation at the 2019 Venice Biennial, Future Generations Art Prize nomination – 5 meter monolithic screen, Room-scale VR, 4k Video, Mulch, Wood

Reaching Beyond

AN INTERVIEW WITH

JAKOB KUDSK STEENSEN

By collaborating with field biologists, NGO’s, researchers, and artists across all disciplines, Jakob Kudsk Steensen creates ecological simulations that envelop the senses and elicit connectivity to an environment. They are played on VR headsets, in large scale installations, and through augmented reality on cell phones. After periods of research, he ventures into rural landscapes for months at a time, where he quite literally plunges in.

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